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Senior faculty composers David Felder, Robert Beaser, Fred Lerdahl, and Steven Stucky at June in Buffalo 2012
Robert L. Millonzi
Him the Almighty Power
So numberless were those bad Angels seen
The heavenly bands
On the foughten field
This said, they both betook them several ways.
Now Night her course began.
Nine days they fell.
[Poetry reading at the University at Buffalo, 1968] / Robert Duncan.
They heard, and were abashed, and up they sprung
Meanwhile the winged Heralds, by command
So promised he and Uriel to his charge
To whom the wing’d Hierarch replied
Hell at last, Yawning received them whole.
Percussionists Robert Fullex, Jason Bauers, Liz Holland, and C.W. Dunbar of the UB Percussion Ensemble performing Julia Wolfe's work Dark Full Ride at June in Buffalo 2012
Colleague, 1971-09-30
[Poetry and prose reading, May 11, 1973] / Robert Creeley.
Members of the Junior League of Buffalo's children's theater group rehearse for their production of 'The Fantasy in the Wood'.
This greeting on thy impious crest receive.
Gorgons, and Hydras, and Chimeras dire.
High on a throne of royal state, which far
O Earth, how like to Heav’n, if not preferr’d, More justly
They heard, And from his presence hid themselves among, The thickest Trees
Now to the ascent of that steep savage hill
Forthwith upright he rears from off the pool
These to the bower direct, In search of whom they sought
In with the River sunk, and with it rose, Satan
Some natural tears they dropt, but whiped them soon.
All dwellings else, Flood overwhelmd, and them, with all their pomp.
Embryos, and idiots, eremites, and friars
Then Satan first knew pain, And writhed him to and fro.
A happy rural seat of various view.
Before the gates there sat, On either side a formidable Shape
Eastward among those trees, what glorious shape
Jan Williams, percussionist with Creative Associates
Robert Mols, Harriet Simons, Sylvia Dimiziani
Members of ensemble Norrbotten NEO, violinist Brusk Zanganeh, violoncellist Elemér Lavotha, flutist Sara Hammarström, and clarinetist Robert Ek rehearsing at June in Buffalo 2014
Center for Hearing and Deafness
Center for Hearing and Deafness
Center for Hearing and Deafness
Center for Hearing and Deafness
They beseech, That Moses might report to them his will, And terror cease.
And now on Earth the Seventh, Eev’ning arose in Eden
Back to the Thicket slunk, The guilty Serpent.
Began to build a vessel of huge bulk.
Paul Zonn, clarinetist with Robert Martin, violoncello and Ed Burnham, percussion
Conductor Petter Sundkvist in performance with Norrbotten NEO members: flutist Sara Hammarström, violoncellist Elemér Lavotha, and clarinetist Robert Ek at June in Buffalo 2014
Chrysalis 3
Him fast sleeping soon he found, In Labyrinth of many a round self-rolled
And seems a moving Land, and at his Gills, Draws in, and at his Trunk spouts out a Sea.
Conductor Petter Sundkvist in performance with Norrbotten NEO members: flutist Sara Hammarström, violoncellist Elemér Lavotha, and clarinetist Robert Ek at June in Buffalo 2014
Aki Takahashi, pianist (contact sheet)
Composer Robert Beaser and Guitarist Elliot Fisk after a performance of Beaser's Guitar Concerto with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
Composer Robert Beaser and Guitarist Elliot Fisk after a performance of Beaser's Guitar Concerto with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
Nor more; but fled, Murmuring, and with him fled the shades of night.
Me miserable! Which way shall I fly, Infinite wrath, and infinite despair?
Composers Robert Beaser and David Felder introducing a performance of Beaser's Guitar Concerto by guitarist Elliot Fisk and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
TBL028: Thomas B. Lockwood, recipient of the University of Buffalo's highest honor, the Chancellor's medal in 1942
Leaning half raised, with looks of cordial love, Hung over her enamoured
So parted they, the Angel up to Heav’n, From the thick shade, and Adam to his Bower.
Meanwhile the tepid caves, and fens, and shores, Their brood as numerous hatch
And now expecting, Each hour their great adventurer from the search, Of Foreign Worlds
Now storming fury rose, And clamor such as heard in Heaven till now
Members of the UB Percussion Ensemble rehearsing student composer David Rappenecker's work Emergence at June in Buffalo 2012. Percussionists left to right: Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy
Composer Daniel Van Hassel watches as Red Fish Blue Fish Percussion Ensemble members Fabio Oliveira and Robert Esler rehearse Van Hassel's composition, Trudge Blasted Exotic
Jan Williams, percussionist conducting Creative Associates
[Poetry reading at Lindenwood, June to November 1968] / Robert Kelly.
Lotto as Metaphor
Black white photograph of Junior League President Mrs. Robert (Kay) Bickford and a member cutting the League's twenty-fifth anniversary cake
The savoury pulp they chew, and in the rind, Still as they thirsted, scoop the brimming stream
Nor only tears, Rained at their eyes, but high winds worse within, Began to rise
Heaven rung, With jubilee, and loud Hosannas filled, The eternal regions.
Wave rolling after wave, where way they found, If steep, with torrent rapture
Mrs. Robert A. Rasmussen, Twentieth Century Club of Buffalo President, 2014-2015
And God said, let the Waters generate, Reptile with Spawn abundant, living Soul: And let Fowl fly above the Earth
Nearer he drew, and many a walk traversed, Of stateliest covert, cedar, pine, or palm.
http://library.buffalo.edu/test/eastman/eastman_044.pdf
Red Fish Blue Fish Percussion Ensemble members Greg Stuart, Justin DeHart, Gustavo Aguilar, and Robert Esler reharsing Roger Reynolds's composition, Sanctuary
Prop for Longo installation Temptation to Exit with red spotlighted woman standing on rope-suspended swing
http://library.buffalo.edu/test/eastman/eastman_136.pdf
With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
[Poetry reading at the University at Buffalo, May 16, 1960] / Robert Graves.
Blanchard family cabinet card album, page 16, undated
[Poetry reading and interview at the Lockwood Memorial Library, University at Buffalo, October 8, 1973] / Robert Lowell
[Lecture at the University at Buffalo, summer course 1968. / Robert Duncan.
Conductor Dan Bassin with percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
[Interview and poetry reading] / Robert Creeley, Pete Brown, Jonathan Williams.
Conductor Dan Bassin directs percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
[Poetry reading at the University at Buffalo, March 7, 1968] /
[Lecture at Kent State University, April 5, 1971] / Robert Duncan, Allen Ginsberg.
Conductor Tom Kolor directs percussionists Liz Holland, Robert Fullex, Jason Bauers, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Conductor Tom Kolor directs percussionists Robert Fullex, Michelle Purdy, Liz Holland, and Jason Bauers of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Conductor Tom Kolor directs percussionists Michelle Purdy, Robert Fullex, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Toward the coast of earth beneath, Down from the ecliptick, sped with hoped success, Throws his steep flight in many an aery wheel.
[Programs on 19th century poetry and Hart Crane, June 25 and 27, 1958] / Robert Beloof, Don Geiger.
[Lecture on W. B. Yeats at the YM-YWHA, New York City, November 1962] / Robert Pack.
[Lecture on E.A. Robinson at the YM-YWHA, New York City, November 1962] / Robert Pack.
[Robert Creeley interview on Mark Weber's KUNM radio program, February 2, 2000] /
[Poetry reading at the Rhymers Club in Berkeley, California, October 12, 1966] / Robert Duncan.