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Metalwork in Sanssouci Palace gardens
Remembering Jews killed in Holocaust, Berlin cemetery
View along nave, Magdeburg Cathedral
Reconstruction drawing of the Palace Chapel of Charlemagne, Aachen
Welcome sign, Kaiser Wilhelm I church
Sanssourci Palace colonnade
Small delivery truck for Chinese firm
Buffalo Storage and Carting Company
Alexander von Humboldt statue outside Humboldt University
Martin Luther's study, former Augustinian monastery
Special water supply for dogs, atop mountain
Anti-war graffiti in Berlin squat
Altar and stained glass windows, All Saint's Church
Polish History Part 2, [no. 17]
Bronze doors in St. John's Church with reliefs and two sculptures of female figures 'War' and 'Peace' flanking the entrance.
Flatbed printing press, similar to those used in Luther's time
Kaiser Wilhelm Memorial Church, post-1943 remains
Adagio [in C major]
Post-World War II political posters
Strasbourg Cathedral
Entrance, Roma and Sinti mememorial
Hanging lamp in the Aula Palatina
Stone reminder of WW2 extermination camp, Treblinka
A bridge too far
Interior, All Saints' Church, Wittenberg
Pedestrian zone, Aachen
Secret stairwell in Old Lyon
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
The multi-colored columns and lack of straight lines stand out as distinctive marks of Hundertwasser's architectural style.
Explosion and a jester
Bear column, Berne
Cover of Reformation magazine featuring Katharina von Bora
Magdeburg Roland
Approaching entrance, St. Stephen Cathedral
Well-worn wooden table and table, Luther's study
Georg Philipp Telemann detail, door of Magdeburg Town Hall
Isenheim Altarpiece (Closed)
Elevated train, Friedrichstrasse station
Identification plaque, children's death trains
Memorial to Otto the Great, King of Germany and Holy Roman Emperor
King Jan III Sobieski on his horse
Stone reminder of WW2 extermination camp, Auschwitz-Birkenau
Sculpture of "Peace" outside St. John's Church in Magdeburg
Disembarking passengers, Elbe River cruise boat
On the Rhine, Maus Castle
Heidelberg castle and downtown
Heidelberg castle and barge on Rhine
Noted Polish Professors, no. 10
China shop, Delft
1949 political parties campaign posters
Frescoed walls, Stein-am-Rhein
Chateau in Liechtenstein
Central square, Geneva
Page with St. Matthew the Evangelist, Coronation Gospels
Photograph of a statue being moved.
Handwritten menu
http://library.buffalo.edu/test/eastman/eastman_106.pdf
Page with St. Matthew the Evangelist, Coronation Gospels
Inside basilica, Trier
Doorway, Aachen basilica
North face, Porta Nigra
Mail art no. 62
Das Standchen von Uhland : National lied , Tempo di Bolero , Im Style Russischer national Lieder
Pelican in her Piety
Side view of Porta Nigra, Trier, Germany
Bears, Berne zoo
Elaborate Roman mosaic floor
Program cover for an Informal Dinner of the Fifth, Sixth, Seventh and Eighth District Dental Societies held November 1916
East entrance, Cologne cathedral
Mail art no. 53
Miraculous Draft of Fishes
Dance of death panel
Mail art no. 63
Medical Newspaper Clippings, 1901-1906
Immigrant Communities of Buffalo and the Pan-American Exposition of 1901
Political Affairs, [no. 2.1]
Natural Food Company Factory
Mail art no. 73
Moving crowd and the ladies
[Poetry reading at the Cambridge Artists Cooperative, Cambridge, Massachusetts, November 5 and December 11, 1972] / Charley Shively, Charles Stein, and John Wieners,
Participants in the International Congress of Constructivists and Dadaists, Weimar, 1922
Christmas vision of Birgitta of Sweden
Niagara Falls
[Poetry reading, April 4, 1969] / Cid Corman.
[Poetry reading] / John Wieners.
http://digital.lib.buffalo.edu/upimage/VF_I18C_016.pdf
Georg Goyert, German translator of Ulysses
[Poetry reading at SUNY Brockport] / W.D. Snodgrass.
http://library.buffalo.edu/test/eastman/eastman_265.pdf
http://library.buffalo.edu/test/eastman/eastman_129.pdf
http://library.buffalo.edu/test/eastman/eastman_246.pdf
http://library.buffalo.edu/test/eastman/eastman_312.pdf
http://digital.lib.buffalo.edu/upimage/LIB-021-BuffaloSocialist_v01n045_19130412extra.pdf